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Creative Screenwriting #42 - Why We Write - Mar/Apr 2002
CS-042
Script Comments
John Logan on The Time Machine
Elie Chouraqui on Harrison's Flowers
David Koepp on Panic Room
Bob Odenkirk & David Cross on Run, Ronnie, Run
Heather Jurgensen & Jennifer Westfeldt on Kissing Jessica Stein
Stephen Sommers & Wil Osborne on Scorpion King
Trevor Munson & Steven Pearl on A Lone Star State of Mind
Pete Jones on Project Greenlight
Script Review of The Salton Sea
Feature Interviews and Essays
E.T. 20 years later: Interview with Melissa Mathison by Steve Ryfle
The Salton Sea: Interview with Tony Gayton by Den Shewman
Blade 2: Interview with David Goyer by Den Shewman
Human Nature: Interview with Charlie Kaufman by David Goldsmith
Scribe Leaving Reality: Charlie Kaufman's Dangerous Mind by David Konow
The Future of Action: Interview with Jeb Stuart & Shane Black by Patricia Burkhart Smith
Special Section: Why We Write
In this special section, ten contributors offer their thoughts on how the events of Sept. 11th have affected the role of the writer in our industry and the larger community. As writers, these individuals felt a responsibility to put the anger, fear, and uncertainty we have all felt into words. Their contributions exemplify Why We Write: to entertain, yes, but more importantly, to make sense out of the conflicting emotions and situations of human existence.
Apostrophe for an Apocalypse by Scott Rosenberg
The Death of Immortality by Dean L. Morini
What is the American Film Market Really Selling? by Catherine Clinch
Laughter is Always Appropriate by Ira Nayman
Human 911: Spectacle & Tragedy by Kevin Boon
Writing During The War: Prisoner of the Mountain as a Model by Andrew & Gina MacDonald
Moving Beyond Stereotypes by Bob Grenier
The 9/11 Effect: International Views by Skip Press
Just Like in 43 by Jim Mercurio
Why We Write by Naomi Foner
Columns & Departments
The Busine$$ of Screenwriting: Why We Write by Ron Suppa
The Belly of the Beast: 2002, The Year We Make Contract by Michael Lent
Agent's Hot Sheet: Don'ts and Don'ts by Jim Cirile
Writer Beware!: R.I.P. Scenario Magazine? by David Lanning
The Write Stuff: How the Nicholl Was Won by Nancy Hendrickson
Production Company Profiles by Daniel Argent
The Final Scene: Adaptation by Charlie Kaufman and Donald Kaufman
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