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CS034small.jpg Creative Screenwriting #33 - Film Noir - Sep/Oct 2000
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CS035small.jpg Creative Screenwriting #34 - Shyamalan/Unbreakable - Nov/Dec 2000
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CSBestof2000small.jpg Creative Screenwriting #35 - Best Screenwriting of 2000 - Jan/Feb 2001
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CS037small.jpg Creative Screenwriting #36 - Christopher Nolan/Memento - Mar/Apr 2001
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CS038small.jpg Creative Screenwriting #37 - Shrek/Jaws/Pearl Harbor - May/Jun 2001
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CS039small.jpg Creative Screenwriting #38 - Planet of the Apes - Jul/Aug 2001
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CS040small.jpg Creative Screenwriting #39 - William Goldman - Sep/Oct 2001
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CS041small.jpg Creative Screenwriting #40 - Farrelly Brothers - Nov/Dec 2001
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CS036small.jpg Creative Screenwriting #41 - Best Screenwriting of 2001 - Jan/Feb 2002
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CS042small.jpg Creative Screenwriting #42 - Why We Write - Mar/Apr 2002
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CS043small.jpg Creative Screenwriting #43 - Scott Frank/Minority Report - May/Jun 2002
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CS044small.jpg Creative Screenwriting #44 - Road to Perdition/Billy Wilder - Jul/Aug 2002
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CS045small.jpg Creative Screenwriting #45 - Paul Schrader - Sep/Oct 2002
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CS046small.jpg Creative Screenwriting #46 - Bill Condon/Chicago - Nov/Dec 2002
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CS047small.jpg Creative Screenwriting #47 - Best Screenwriting of 2002 - Jan/Feb 2003
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CS048small.jpg Creative Screenwriting #48 - Screenplay Analyst Review - Mar/Apr 2003
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CS049small.jpg Creative Screenwriting #49 - X2/Finding Inspiration in the 70s - May/Jun 2003
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CS050small.jpg Creative Screenwriting #50 - Pirates of the Caribbean - Jul/Aug 2003
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CS051small.jpg Creative Screenwriting #51 - The New Face of Horror - Sep/Oct 2003
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CS052small.jpg Creative Screenwriting #52 - Cold Mountain - Nov/Dec 2003
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CS053small.jpg Creative Screenwriting #53 - Best Screenwriting of 2003 - Jan/Feb 2004
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CS054small.jpg Creative Screenwriting #54 - Make Your Own Movie - Mar/Apr 2004
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CS055small.jpg Creative Screenwriting #55 - Writing the Tentpole Movie - May/Jun 2004
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CS056small.jpg Creative Screenwriting #56 - Selling Your Spec Script - Jul/Aug 2004
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CS057small.jpg Creative Screenwriting #57 - Sideways/Alexander Payne - Sep/Oct 2004
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CS058small.jpg Creative Screenwriting #58 - Kevin Spacey/Beyond the Sea - Nov/Dec 2004
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CS059small.jpg Creative Screenwriting #59 - Best Screenwriting of 2004 - Jan/Feb 2005
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CS060small.jpg Creative Screenwriting #60 - The Interpreter - Mar/Apr 2005
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CS061small.jpg Creative Screenwriting #61 - War of the Worlds/David Koepp/Steven Spielberg - May/Jun 2005
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CS062small.jpg Creative Screenwriting #62 - Ehren Kruger/40 Year Old Virgin - Jul/Aug 2005
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CS063small.jpg Creative Screenwriting #63 - Steve Martin/Shopgirl - Sep/Oct 2005
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CS064small.jpg Creative Screenwriting #64 - Harry Potter/Steve Kloves - Nov/Dec 2005
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CS065small.jpg Creative Screenwriting #65 - Memoirs of a Geisha/Silence of the Lambs - Jan/Feb 2006
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CS066small.jpg Creative Screenwriting #66 - The Unit/Tim Minear/Pitching - Mar/Apr 2006
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CS002small.jpg Creative Screenwriting #02 - Larry Gelbart - Summer 1994
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CS003small.jpg Creative Screenwriting #03 - Women in Screenwriting - Fall 1994
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CS005small.jpg Creative Screenwriting #05 - The Hollywood Industry - Spring 1995
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CS006small.jpg Creative Screenwriting #06 - Writing For Documentaries - Summer 1995
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CS007small.jpg Creative Screenwriting #07 - Writing For TV - Fall 1995
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CS009small.jpg Creative Screenwriting #09 - Writing Independent Film - Spring 1996
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CS010small.jpg Creative Screenwriting #10 - Oliver Stone - Fall 1996
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CS011small.jpg Creative Screenwriting #11 - Classic Screenplays - Winter 1996
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CS012small.jpg Creative Screenwriting #12 - Dramatic Writing - Winter 1996
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CS013small.jpg Creative Screenwriting #13 - Billy Bob Thornton - Spring 1997
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CS014small.jpg Creative Screenwriting #14 - Frank Darabont - Summer 1997
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CS015small.jpg Creative Screenwriting #15 - Robert Altman - Fall 1997
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CS016small.jpg Creative Screenwriting #16 - David Milch - Winter 1997
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CS019small.jpg Creative Screenwriting #19 - John Sayles/David Mamet - May/Jun 1998
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CS021small.jpg Creative Screenwriting #20 - Writing Science Fiction - Jul/Aug 1998
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CS0Horrorsmall.jpg Creative Screenwriting #21 - Writing Horror - Sep/Oct 1998
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CS023small.jpg Creative Screenwriting #22 - Sex in the Screenplay - Nov/Dec 1998
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CS024small.jpg Creative Screenwriting #23 - John Carpenter - Jan/Feb 1999
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CS0Cronenbergsmall.jpg Creative Screenwriting #24 - David Cronenberg - Mar/Apr 1998
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CS025small.jpg Creative Screenwriting #25 - Spike Lee - May/Jun 1998
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CS027small.jpg Creative Screenwriting #26 - Stanley Kubrick - Jul/Aug 1999
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CS028small.jpg Creative Screenwriting #27 - M. Night Shyamalan/The Sixth Sense - Sep/Oct 1999
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CS029small.jpg Creative Screenwriting #28 - Frank Darabont/The Green Mile - Nov/Dec 1999
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CS030small.jpg Creative Screenwriting #29 - Best Screenwriting of 1999 - Jan/Feb 2000
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CS031small.jpg Creative Screenwriting #30 - John Milius - Mar/Apr 2000
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CS032small.jpg Creative Screenwriting #31 - Robert Towne - May/Jun 2000
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CS033small.jpg Creative Screenwriting #32 - Gladiator/Writing Comedy - Jul/Aug 2000
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Dead Man's Curve: Quentin Tarantino Drives You to the Grindhouse
Quentin Tarantino and Robert Rodriguez are bringing back the '70s with Grindhouse's double bill of murder and mayhem. Here Tarantino tells you why you should love B-movies, the joy of writing quickly, and why his stalker car-chase movie Death Proof is a chick flick.
BY JEREMY SMITH


On the Lookout: Scott Frank's Directing Debut Mixes Crime, Identity, and a Little Advice from Mr. Spielberg
Scott Frank merges his interests in crime fiction and identity to create a story about a brain-damaged janitor pressed into service by bank robbers—a story that Frank turned into his feature-film directing debut.
BY JEFF GOLDSMITH

So You Want to Direct? Advice From Screenwriters Who Moved Behind the Camera
Five scribes step out from behind the keyboard to offer advice and anecdotes from their forays into the director's chair, and what writers helming their feature debut can expect the first time they call "Action!"
BY JASON DAVIS

From Author to Auteur: A Survey of Directing Classes, Workshops, Seminars, & Film Schools
So you've decided you want to direct. What skills do you need? And where do you go to get them? From two-day seminars to two-year MFAs, an overview of the paths you can travel to learn how to turn your words into pictures.
BY NANCY HENDRICKSON

So You Want to Make a Documentary? The Six Areas You Need to Explore
The co-author of The Documentary Film Makers Handbook leads you through the steps to create a documentary, with a few words of advice from people who have been there and lived to screen their films about it.
BY ANDREW ZINNES

COMING SOON…

Hot Fuzz
Shaun of the Dead creators put a British spin on the action genre.
BY JUDD BLOCH


The Last Mimzy
Bruce Joel Rubin writes the ending to a story he saw as a child.
BY PETER CLINES


300
Zack Snyder and Kurt Johnstad convert Frank Miller's bloody graphic novel into a CGI epic.
BY JEREMY SMITH


Away From Her
Actress Sarah Polley adapts Alice Munro for her first screenplay.
BY DANNY MUNSO


I Think I Love My Wife
Chris Rock and Louis C.K. turn Erich Rohmer's infidelity drama into a comedy.
BY DANNY MUNSO


Sunshine
Alex Garland's latest pits mankind against a dying sun.
BY DAVID MICHAEL WHARTON


Zodiac
Jamie Vanderbilt turns the unsolved case of the Zodiac killer into "the last serial killer movie" for Se7en's David Fincher.
BY JEREMY SMITH


Lucky You
Eric Roth's first original script in almost a decade focuses on poker, Las Vegas, and redemption.
BY DANNY MUNSO

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