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Dead Man's Curve: Quentin Tarantino Drives You to the Grindhouse
Quentin Tarantino and Robert Rodriguez are bringing back the '70s with Grindhouse's double bill of murder and mayhem. Here Tarantino tells you why you should love B-movies, the joy of writing quickly, and why his stalker car-chase movie Death Proof is a chick flick.
BY JEREMY SMITH


On the Lookout: Scott Frank's Directing Debut Mixes Crime, Identity, and a Little Advice from Mr. Spielberg
Scott Frank merges his interests in crime fiction and identity to create a story about a brain-damaged janitor pressed into service by bank robbers—a story that Frank turned into his feature-film directing debut.
BY JEFF GOLDSMITH

So You Want to Direct? Advice From Screenwriters Who Moved Behind the Camera
Five scribes step out from behind the keyboard to offer advice and anecdotes from their forays into the director's chair, and what writers helming their feature debut can expect the first time they call "Action!"
BY JASON DAVIS

From Author to Auteur: A Survey of Directing Classes, Workshops, Seminars, & Film Schools
So you've decided you want to direct. What skills do you need? And where do you go to get them? From two-day seminars to two-year MFAs, an overview of the paths you can travel to learn how to turn your words into pictures.
BY NANCY HENDRICKSON

So You Want to Make a Documentary? The Six Areas You Need to Explore
The co-author of The Documentary Film Makers Handbook leads you through the steps to create a documentary, with a few words of advice from people who have been there and lived to screen their films about it.
BY ANDREW ZINNES

COMING SOON…

Hot Fuzz
Shaun of the Dead creators put a British spin on the action genre.
BY JUDD BLOCH


The Last Mimzy
Bruce Joel Rubin writes the ending to a story he saw as a child.
BY PETER CLINES


300
Zack Snyder and Kurt Johnstad convert Frank Miller's bloody graphic novel into a CGI epic.
BY JEREMY SMITH


Away From Her
Actress Sarah Polley adapts Alice Munro for her first screenplay.
BY DANNY MUNSO


I Think I Love My Wife
Chris Rock and Louis C.K. turn Erich Rohmer's infidelity drama into a comedy.
BY DANNY MUNSO


Sunshine
Alex Garland's latest pits mankind against a dying sun.
BY DAVID MICHAEL WHARTON


Zodiac
Jamie Vanderbilt turns the unsolved case of the Zodiac killer into "the last serial killer movie" for Se7en's David Fincher.
BY JEREMY SMITH


Lucky You
Eric Roth's first original script in almost a decade focuses on poker, Las Vegas, and redemption.
BY DANNY MUNSO

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Creative Screenwriting

"The Best Magazine About Screenwriting"
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Creative Screenwriting exists to help you compete in this tough, but lucrative business. Do you know which genres are hot? Which ones are warming up? Which agencies and managers are accepting new clients? What scripts individual producers are looking for, and how you can submit to them? Creative Screenwriting answers these questions for you in every issue, keeping you up to date with what's going on — who's buying, and what types of scripts are selling.

Every issue of Creative Screenwriting includes Production Company Spotlight — a listing of what scripts a dozen top production companies, management firms and agencies are looking for. And our list of Spec-Script and Pitch Sales is the most complete anywhere. Each listing includes a logline for the project and the specific agents, managers, producers and executives involved. We publish the most detailed listing anywhere because you need this information to sell your scripts.

Exclusive interviews access the knowledge of Hollywood's top writers. Creative Screenwriting puts you into the room with Christopher Nolan (Memento) to discuss screenplay structure, takes you to New York to talk with William Goldman (Adventures in the Screen Trade) about working in Hollywood from afar, and gets inside the mind of M. Night Shyamalan (The Sixth Sense) on keeping the audience guessing – interviews you won't find anywhere else. And every issue of Creative Screenwriting also includes a feature article on the craft of screenwriting where we interview top writers on what works. Recent issues have interviewed Richard LaGravenese (The Fisher King) and Neil LaBute (In the Company of Men) on Dialogue, Anthony Minghella (Cold Mountain) and Ted Tally (Silence of the Lambs) on Adaptation and Scott Frank (Get Shorty) and Ed Solomon (Men In Black) on Rewriting.

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